Gender in Eighteenth Century England
by Hannah Barker and Elaine Chalus

Gender in Eighteenth Century England by Hannah Barker and Elaine Chalus

CHAPTER ONE

INTRODUCTION
HANNAH BARKER AND ELAINE CHALUS

The Sexes have now little other apparent Distinction, beyond that of Person and Dress:  Their peculiar and characteristic Manners are confounded and lost:  The one Sex having advanced into Boldness. As the other have sunk into Effeminacy. 1
(John Brown, 1757)

Women must be understood ...... in terms of relationship – with other women, and with men .....2
(Michelle Zimbalist Rosaldo, 1980)

For John Brown, England’s dismal performance at the beginning of the Seven Years’ War was the result of a deterioration in national character that he attributed, at least in part, to changes in manner and sexes.  Like other eighteenth-century moralists and conduct-book writers who attempted to coax, cajole or chastise their readers into complying with idealized notions of masculinity and femininity, he believed that clearly defined gender roles were central to the stability of English society, and by extension, to England’s status as a world power.

In general, eighteenth-century prescriptive texts argued that men and women were ‘naturally’ different, and that these differences not only shaped their characters but suited each sex to specific activities and roles in society.  Authors mustered powerful religious, philosophical and scientific arguments to explain, rationalize and legitimize implicit and explicit inequalities between the sexes.  While men and masculinity were occasionally the subjects of such texts, the overwhelming majority of this literature was aimed at women, who were, by nature, considered to be in need of closer supervision.

1. John Brown, An Estimate on the Manners and Principles of the Times (1757), p.51

2. Michelle Zimbalist Rosaldo, The use and abuse of anthropology; reflections on feminism and cross-cultural understanding’ Signs 5,3 (1980), p.409

Copyright© Hannah Barker and Elaine Chalus

Gender in Eighteenth Century England by Hannah Barker and Elaine Chalus

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The Duchess

'The Duchess', starring Keira Knightley, Ralph Fiennes, Charlotte Rampling and Dominic Cooper, based on the life of Duchess Georgiana (1757-1806), wife of the 5th Duke of Devonshire.

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The Film was released in cinemas on 5th September 2008 in the UK and the 19th September 2008 in the USA

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